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Hearts in War: The Mad Prince’s Doctor Is An Enemy

Inkiees
Lovers of political thriller and a crazy kind of romance this is for you. ---- It all began twenty-nine years ago. The government of Dilrik launched a secret project to breed and raise children with superhuman abilities, designed to become the nation’s best tool in the future. But one dire mistake brought the project crashing down, and it was forcibly shut down, its remnants buried. Years later, on the eve of war, a revered doctor and a desperate prince cross paths as strangers and had one wild night together, an accident neither intended to happen. They were supposed to never see each other again. But days later, he appears at her door, using their night together as leverage to demand the one thing no one else can give him: a cure for his madness. Now she’s trapped. She can't refuse and speaking a word of it would mean execution for treason despite the revered status she held. She became his physician, tending to him in secret with fear of being discovered. Yet somewhere between the fear something shifts. He stops simply being the sick prince and she stops to be merely the miracle doctor. Two people on opposite sides of a war find themselves standing on the edge of a feeling that could destroy them both. But can a feeling like this survive? And deep beneath their dangerous emotions lies another question, one that’s been waiting twenty-nine years for an answer: what really happened to the children from the project?
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The Pawn Who Said Yes

Lucia Watts was once the golden daughter of Tomasso City, born into an illustrious family, raised in love, and destined for brilliance. But at seventeen, she made one fatal mistake: she brought a stranger named Anna Smith into her home. That mistake destroyed everything. Betrayed by the woman she trusted, Lucia’s father was framed and sentenced to life imprisonment. Her family collapsed overnight. Her father died under the wheels of oncoming traffic. Her mother lost her sanity. The hospital that carried her family’s name was stolen. Lucia died that day. And Emma Wilson was born. Four years later, Emma returns as the elegant and untouchable director of a Swiss cosmetics empire. Beautiful, ruthless, and patient, she has only one purpose: to drag Anna Smith and everyone who helped her into hell. Her path of revenge leads her straight to Ricard Anderson, Anna’s fiancé, a powerful CEO, and the perfect weapon. Lucia approaches him knowingly, seduces him deliberately and lets him fall in love with her step by step. She uses his desire, his influence, and his devotion as pieces on her chessboard. Ricard knows the truth. He knows she is using him. He knows her love is a lie. And yet, he chooses to stay. “I know I’m just a pawn,” he says. “But I’m willing.” As secrets are exposed, traps are set and blood debts are repaid, love becomes the most dangerous variable. Lucia wins her revenge but at the cost of everything else. Because some love stories are never meant to be saved. And some women choose revenge over redemption. ... Umee say that: Hi there! First of all, thank you for the interest and for the enthusiasm. Truly. Every time I open my comments and see new invitations to add Discord, buy promotion packages, commission comic adaptations, or “have a quick chat,” I’m reminded that my story has somehow wandered into a very busy marketplace. That said, I should probably set expectations gently before anyone invests too much energy. I’m not looking for promotion services, paid advertising or commissioned artwork. Not because they’re bad ideas, just because they’re not ideas I currently need. I don’t have the budget, the urgency or the illusion that my story is secretly one step away from becoming the next global phenomenon. I’m very aware of where my work stands. It’s doing okay. Respectably okay. Not “adapt-everything-immediately” okay. My passion for writing exists but it hasn’t reached the stage where common sense quietly exits the room. I promise I’m not underestimating myself, I’m simply being realistic, which is a personality trait I’ve grown quite attached to. Another small but important thing: I’m not really interested in chatting, exchanging ideas, networking, or building creative alliances in private messages. I write best when left alone. I think best when no one is pitching anything to me. And I function best when my inbox is not screaming for attention. So if I don’t reply, please know it’s not personal, it’s just me choosing silence over small talk. That being said, if you’re genuinely curious about me rather than what I can potentially become or produce, if you want to see my everyday life, random thoughts, quiet moments and the unmarketable parts of my existence, I do have my Instagram linked in my bio. You’re welcome to follow it. No proposals required. No introductions needed. Just observation, at your own pace. I truly wish you the best with your creative work, your art, your promotions, and your ambitions. Creating something and trying to get it seen is hard, I respect that deeply. I just prefer to walk my path slowly, quietly, and without turning every interaction into a business opportunity. Thank you for understanding, for stopping by, and for letting me return peacefully to my writing corner, where the only thing I’m selling is words.
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