While on the airship, he sat by the window and through the double-thickened glass, Yu Liang observed the surrounding cold-toned skyscrapers, attempting to gather as much information from this timeline as possible.
The glass panes on the buildings were almost all the same shade of bluish-gray, strictly regular like a Rubik's cube building, yet gaudy billboards were interspersed among them.
Just from these buildings that seemed mass-produced off a production line, they almost served as the synonym for the harsh, rigid coldness of urban architecture, almost devoid of any other color, evoking a sense of suppressed desires.
