"There's something wrong with this thickness. It's twice as thick as the other paintings? There shouldn't be such thick paper.
Could it be that the two paintings really fit together? So, what kind of precious painting is it? Need to use Zhang Daqian's game painting to cover it up? Could it be Zhang Daqian's doing something good?"
Old Master Zhao was surprised, happy, and confused. He shouted excitedly," Quick, get the tools…"
Soon, the servants filed in. The silver plates were neatly stacked with tweezers, sheep-hair pens, watering cans and other tools, which glowed with a cold metallic luster under the light.
But I raised my phone and began to record this rare scene excitedly.
Old Master Zhao's face was serious, and his eyes were full of excitement and excitement. He held his breath and focused. He held a special watering can in his hand and let the mist cover the corner of the painting like mist. His movements were gentle and cautious, as if he was performing a sacred ceremony.
Everyone held their breath as the tweezers carefully dug into the paper. The hall was so quiet that a pin could be heard.
" Oh my god, there really are two paintings. Zhang Yang, you little brat, you are going to make a fortune…" Old Master Zhao's voice trembled. Under the corner of the painting that was picked up by the tweezers, there was a hint of a Ming Dynasty lady's skirt. The golden peony on the red dress was flowing under the light, and everyone's emotions were instantly ignited.
"Draw a hidden painting?" Zhao Yitong and Sun Yongjun approached curiously, their eyes wide open. Their faces were filled with excitement and anticipation.
This was a scene that could only be seen in legends. They were lucky enough to meet it, so they naturally didn't want to miss it. They all wanted to feast their eyes on it.
For thirty minutes, the air seemed to freeze.
Old Master Zhao was fully focused and his every movement was meticulous. Fine beads of sweat appeared on his forehead, but he didn't notice it.
When the two paintings were completely separated, the room was silent.
An authentic painting of Tang Yin, hidden for an unknown number of years, slowly unfolded in front of everyone, as if opening a window to the graceful world of Jiangnan in Ming Dynasty.
In the painting, a lady stands tall and graceful, just like an orchid blooming in the spring breeze, exuding a unique charm.
The lady's face was beautiful, her eyebrows were like a crescent moon, full of affection, her eyes were bright and clear, as if hiding autumn water, and she looked gentle and agile.
Her straight nose and slightly upturned tip added a touch of playfulness to her demure features. Cherry small mouth not point but red, lips slightly raised, not smile, as if there is a sweet heart hidden.
On her forehead, there was a delicate flower that sparkled like a star in the night sky. It reflected her skin, which was snow-white and delicate like suet jade.
Her hair was tied up high, and her hair was like ink. She carefully combed it into a complex and elegant pattern, dotted with several gold hairpins and pearls.
The gemstones on the hairpin sparkled under the light and shadow. They swayed gently with her slight movements and made a pleasant rustle. The pearls also swayed with her, adding a bit of luxury. A few strands of hair fell beside her fair neck, accentuating the slender and gentle nature of her neck.
The lady was dressed in a light pink dress. The skirt was wide and elegant. The fabric was soft, like catkins in spring.
There were delicate and complicated patterns embroidered on it, like blooming flowers and agile birds. The stitches were exquisite and lifelike, as if the flowers and birds would fly out of the painting in the next second.
She was wearing a lotus colored tulle. The dark patterns on the tulle were faintly discernible, like clouds and fog. They complemented the silk skirt, adding a bit of hazy beauty.
Holding a group fan painted with orchids, the fan surface is made of plain silk, the texture is light, the fan bone is made of Xiangfei bamboo, the texture is elegant.
Next to the lady, there is an exquisite Taihu stone. Taihu stone has a strange shape, holes connected, and vertical and horizontal textures, as if it has been carved over the years. Every depression and bulge tells the story of time.
A few green bamboos stood tall beside the stone. The leaves were slender and green. They swayed gently in the breeze and made rustling sounds, adding some vitality and vitality to the picture.
The grass on the ground is like a carpet, dotted with several unknown wild flowers, red, yellow, purple, dotted like stars in the night sky, adding a bit of natural wild interest to the picture.
The lines of the whole picture are smooth and delicate, outlining the outline of the lady and the texture of the dress, as if flowing water, agile and elegant.
The colors are fresh and elegant, with pink, lotus root color and moon white as the main colors, soft and elegant, setting off each other to create a quiet and beautiful atmosphere.
In the lower right corner of the picture, Tang Bohu signed his signature with his unique running script font. The handwriting was elegant and free, and the strokes were vigorous and powerful, but they were graceful and restrained. "Wu Jun Tang Yin painting" five characters ink shade appropriate,"Tang Yin" two characters slightly larger, the other three characters slightly smaller, scattered, like a delicate calligraphy sketch.
Below the inscription, two vermilion seals are striking, one is "Tang Bohu Seal", a square seal, the seal text is simple and elegant, the lines are round and smooth, the ink paste is bright, but it is still bright as new after years; the other is "Liu Ru Ju Shi", an oval seal, the seal layout is exquisite, and the square seal echoes each other.
On the right side of Tang Yin's seal, a rectangular "Zhang Daqian Collection" seal is particularly eye-catching. The seal surface is printed in Han script. The thickness of the strokes changes naturally, and the hardness and softness are combined, showing the charm of gold and stone. The color of the ink pad is dark and slightly purple, which seems to tell the precipitation of time.
In the upper left corner of the scroll, there was also a round seal of the "Qianlong Imperial Treasure". The red background color was red. Nine golden dragons coiled around the words "Imperial Treasure", showing the royal majesty. The edge of the seal was slightly worn, which witnessed countless times of reading.
Next to the Qianlong imperial seal is a small "Xiang Yuanbian Seal". Xiang Yuanbian, as a famous collector of Ming Dynasty, uses fine vermilion characters with fine lines as fine as hair, but clear and powerful. The ink paste is bright vermilion color, which blends harmoniously with the color of the whole painting.
These seals are layered and span different eras, like silent historical witnesses, telling the legend of this painting circulating among many collectors, making the whole picture of ladies more historical and true artistic charm.