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Chapter 5 - Chapter Five: The pull of the past.

Lena Hart hadn't expected the past to come calling on a quiet Tuesday morning.

The cottage was still, save for the whisper of waves drifting in from the shore. The late spring light filtered gently through the curtains, casting a pale golden hue on the chipped wooden floors. The scent of brewing coffee lingered in the air, warm and familiar.

She sat at the small kitchen table, pencil in hand, sketching lines that didn't yet know what they were trying to become. The edge of a roofline here. The slant of the sea horizon there. More feeling than form. More muscle memory than meaning.

She hadn't meant to start drawing again — not really. But lately, the urge came like the tide: quiet, persistent, inevitable.

Then came the knock.

Not loud. Just a sharp, composed tap against the wooden door.

Lena stilled, pencil hovering above the paper.

Nobody knocked here. Not unless they were delivering mail or bringing gossip from town.

Her first instinct was to ignore it. The silence here was sacred. Hard-earned.

But something about the cadence — that confident rhythm — stirred unease.

She rose slowly and crossed the living room to the front door. The air felt suddenly cooler, as if the cottage had inhaled with her.

When she opened the door, the chill in her bones wasn't from the breeze off the ocean.

"Lena."

Judith Monroe stood poised on the porch, a wool coat buttoned to her throat despite the mild weather. Her hair was still immaculate, a sleek silver-blond sweep pinned at the nape of her neck. The kind of elegance Lena had never mastered, no matter how many family dinners she endured.

Lena's grip tightened on the edge of the door.

"Judith?" Her voice scraped her throat. "What are you—?"

"I was in the area." Judith's gaze flicked over Lena's shoulder into the cottage. A pause. "And I thought it was time we spoke."

She made it sound like a board meeting.

Lena stepped forward slightly, blocking the doorway. "There's nothing left to say."

Judith's expression softened by a fraction, though her voice remained smooth as glass. "You disappeared. You didn't return our calls. You left Oliver in pieces."

Lena's stomach twisted. There it was — the unspoken accusation, spoken now with carefully honed precision.

She forced a breath. "I left because I had to. Because staying meant breaking myself into something unrecognizable."

"You left him alone." A flicker of emotion passed across Judith's face — disappointment? Frustration? "He was grieving too."

Lena flinched. The gall of that.

"He wasn't grieving," she said, the words clipped. "He was sleeping with someone else while I was planning a funeral."

Judith blinked. No denial. Just a tightening of her mouth.

Lena's voice trembled. "I found the messages. I saw the photos. You knew. You all did. And none of you said anything."

"Because we thought you might still find your way back to each other." Judith's voice lowered slightly, more human now. "Oliver made a mistake—"

Lena's hand shot up. "Don't."

The silence stretched between them, heavy and brittle.

Judith took a step back, wrapping her arms around herself, her veneer cracking ever so slightly. "You were like a daughter to me."

"I was never your daughter," Lena said softly. "Just the girl you hoped would tame your son."

Judith's eyes shimmered — not with tears, but something more elusive. Regret, perhaps. Or memory.

"Come back to the city," she said. "At least consider it. You could teach again. Paint again. We could—"

Lena shook her head. "This is my life now. Dawnridge. The sea. The quiet. It's all I have left."

Judith's gaze swept the weathered porch, the paint peeling near the banister, the flowerpots withering under salt air. "Dawnridge isn't the place for someone like you."

Lena's heart pounded. "You don't know me anymore."

Judith looked at her — really looked at her. And then, without another word, she turned and descended the steps. Her car purred to life and disappeared down the gravel road.

Lena stood motionless, the morning sun warming her face as her chest cooled with the icy residue of memory.

---

That afternoon, miles across town, Eli Turner stood in his workshop, brushing sawdust from the rim of the boat hull. His fingertips found a rough edge, and he began sanding it by touch — slow, methodical strokes that mirrored the rhythm of his thoughts.

The boat had become more than a project. It was quiet therapy. A place to focus his hands when his heart got too loud.

He was halfway through smoothing a stubborn groove when the bell over the workshop door chimed.

He didn't look up. "Be right with you."

Then: "Well, damn. Still smells like cedar and stubbornness in here."

The voice hit him like a gust of cold air. Familiar. Unwelcome.

He turned.

Chelsea Grant stood just inside the door, the late sun outlining her in gold. Her auburn hair was pulled back in a casual knot, sunglasses hooked into the neckline of a fitted denim jacket. She looked older, maybe. Or maybe just more polished. Less wild. But still her.

He didn't speak. Just waited.

She smiled — tentative, hopeful. "Hi, Eli."

He nodded slowly. "Chelsea."

"I heard about your dad," she said after a beat. "I'm sorry. He was a good man."

"Yeah," Eli said. "He was."

A heavy pause fell between them. He could hear the low hum of the sander on the table, still plugged in but idle.

Chelsea stepped farther in. "I didn't come to stir things up. I just… I was driving through, and I thought—"

"You thought what?" Eli said, voice tight. "That we could pick up where we left off?"

"No," she said quickly. "I know I don't get that. I just… needed to see the town again. And you."

He crossed his arms, leaning back against the boat. "You left without a word."

"I know," she said. "And I was a coward for it. I got scared, Eli. Of the shop. Of roots. Of us."

He laughed, humorless. "You think I wasn't scared? You think staying was easy?"

She stepped closer. "I'm not asking for forgiveness. I just needed to say I was sorry. Properly. You didn't deserve how I left."

He looked at her — really looked. At the way her voice caught. At the sliver of truth behind her regret.

Then he thought of Lena.

Of her smile when she was painting again, hesitant but real. Of how she listened when he spoke, not just waiting for her turn, but hearing. Of the silence they shared, thick with something slowly blooming.

"You're right," he said finally. "I didn't deserve it."

Chelsea nodded once, absorbing the hit.

"If you ever want to talk—"

"I won't," he said. It came out sharper than he meant, but he didn't take it back.

She gave a small, wounded smile. "Fair enough."

And then she turned and left.

---

The dock was quiet at twilight.

Lena sat with her knees drawn to her chest, sketchbook limp beside her. She hadn't added a line to the page since morning.

The sky blushed with soft streaks of orange and pink, the sea a mirror to its change.

She didn't hear Eli approach until the wood creaked beneath his boots.

He sat beside her without a word, their shoulders almost touching.

"She came today," Lena said after a long silence. "Judith."

He let out a low breath. "Chelsea came to the shop."

Her head turned, startled.

He met her gaze. "I didn't ask her to. I didn't want her back."

"I didn't ask Judith to come either," she murmured. "I think she came more for herself than for Oliver."

They sat with that for a moment, letting the air between them thicken with old names and older wounds.

"I thought I was past it," Lena said. "Past them."

"Me too."

She glanced at him, catching the furrow between his brows. He looked like he was carrying something heavy. Not just the visit. But the choice that followed.

"I'm not good at this," Eli said. "At talking."

"I'm not either," Lena said, almost smiling. "But I don't want to run anymore."

He turned his hand palm-up between them.

She stared at it for a moment, then placed hers in it.

The contact was simple. Steady. And in it, a kind of vow.

"I keep waiting for the past to stop showing up," she said.

"Maybe it doesn't," he replied. "Maybe we just get better at closing the door."

She laughed softly, surprising herself. "You're wiser than you look."

"Don't let the beard fool you."

The sea rustled against the dock, the sun dipped lower, and the shadows grew long around them.

"Let's not let them pull us back," he said.

She looked at him — really looked. At the strength in his silence, the quiet steadiness he offered.

"Even if the past still pulls?"

He nodded. "Then we pull back harder."

And for the first time that day, she smiled — not for Judith, or Oliver, or the woman she used to be — but for herself.

And maybe, just maybe, for the man sitting beside her.

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